Albums from 2017 I’m Still Listening to in 2018 | Carl Colglazier

I listen to a lot of music. While I will listen to some albums a few times and move on, some stay with me. This post quantifies the albums from 2017 that stayed in my life in 2018.

Each December, I compile a list of my favorite recent albums from the past year. People really enjoy reading lists, so pretty much every music publication also releases a end-of-year list around the same time ¹.

¹ AOTY publishes an aggregate of over a hundred end-of-year lists annually. Read their 2017 list here.

As fun as it is to parse through yearly lists, liking an album is no guarantee of future streams. Sometimes there are albums like Sufjan Steven’s Carrie & Lowell which, although exceptional, are do not exactly make the best background music for homework. Other times I might really en joy an album on repeat for a period of time, but I eventually move on the something else. I might get a nice feeling of nostalgia looking back at the record and how I now associate it with that time period, but there would be no way to replicate that initial infatuation.

In the streaming era, my music library is sometimes a bit like a midnight refrigerator run: there’s always plenty inside, but at the moment I might just be looking for something quick and easy. Thus this list is probably best described as my musical comfort food. There are the albums from 2017 I had on repeat in my head and in my ears throughout 2018.

recentAlbums %>%
    filter(str_detect(date, "2017")) %>%
    select(artist_name, release_name, n) %>%
    head(19)

artist_name	release_name	n
Charli XCX	Pop 2	296
Charli XCX	Number 1 Angel	153
GFOTY	GFOTYBUCKS	144
Lorde	Melodrama	144
Carly Rae Jepsen	EMOTION SIDE B	86
Coma Cinema	Loss Memory	85
Rina Sawayama	RINA	85
Paramore	After Laughter	84
Alex Cameron	Forced Witness	77
Baths	Romaplasm	72
Phoebe Bridgers	Stranger in the Alps	61
Elliott Smith	Either/Or	58
Vince Staples	Big Fish Theory	57
BROCKHAMPTON	SATURATION III	46
Richard Dawson	Peasant	41
Sufjan Stevens	Carrie & Lowell Live	41
King Krule	The OOZ	37
LCD Soundsystem	american dream	37
Arca	Arca	36
Carly Rae Jepsen	EMOTION Side B	31

The Albums

Now I’ll say a few words about some of the albums on this list.

Charli XCX - Pop 2

The prolific UK-based singer-songwriter has released a masterpiece. Featuring production from the likes of A.G. Cook and SOPHIE, Pop 2 is a celebration of future-facing pop music with catchy hooks and hyper-glossy production.

Lorde - Melodrama

I was completely blown away by this on my first listen. Jack Antonoff joined Lorde as executive producer and together they crafted a record full of unexpected hooks and sleek arrangements. The fact that this album is even being compared to Kate Bush’s Hounds of Love is a testament to the songwriting chops of the young singer-songwriter.

Charli XCX - Number 1 Angel

Honestly I really wish that XCX3 got released last year as planned, but these two mixtapes are possibly the greatest consolation prize possible. PC Music-era Charli XCX just plain works. Perhaps the most impressive accomplishment in these mixtapes is her ability to feature so many other artists while at the same time not being overshadowed in the slightest.

Rina Sawayama - RINA

I love the sound and aesthetic of pop music from the late 90’s and early 2000’s. It’s hard for me to describe, but there’s just a level of confidence to it that is difficult to reproduce. While Rina Sawayama by no means tries to replicate the sound, she channels it perfectly in this Clarence Clarity-produced EP.

Paramore - After Laughter

Does Hayley Williams have one of the best voices in today’s music industry? Yes. Does Paramore keep getting better and better over time? Also yes.

Coma Cinema - Loss Memory

This was late release (early December) and it did not receive very much attention from the music press. Nonetheless, I found it to be a very enjoyable winter album with a raw yet removed approach to its emotional subject matter.

Alex Cameron - Forced Witness

Heartland synthpop drenched in irony and social commentary. Cameron is simultaneously hilarious and thought-provoking.

Baths - Romaplasm

Bubbly production and chippy songwriting. It’s a concept album. I still don’t quite get the concept, but that’s okay.

Phoebe Bridgers - Stranger in the Alps

I didn’t really get into this release until late this year. Wow, there are some good songs in here! Another great winter album with a lot of sad subjects, but also some intimate and emotional arrangements.

--- title: "Albums from 2017 I'm Still Listening to in 2018" author: ["Carl Colglazier"] date: 2018-12-08T10:02:00-05:00 draft: false index: false aliases: - "/notes/2017-albums-in-2018/" --- I listen to a _lot_ of music. While I will listen to some albums a few times and move on, some stay with me. This post quantifies the albums from 2017 that stayed in my life in 2018. Each December, I compile [a list](https://gist.github.com/CarlColglazier/913963cc7197fb7a024d736c96545439) of my favorite recent albums from the past year. People really enjoy reading lists, so pretty much every music publication also releases a end-of-year list around the same time [^fn:1]. As fun as it is to parse through yearly lists, liking an album is no guarantee of future streams. Sometimes there are albums like Sufjan Steven's _Carrie & Lowell_ which, although exceptional, are do not exactly make the best background music for homework. Other times I might really en joy an album on repeat for a period of time, but I eventually move on the something else. I might get a nice feeling of nostalgia looking back at the record and how I now associate it with that time period, but there would be no way to replicate that initial infatuation. In the streaming era, my music library is sometimes a bit like a midnight refrigerator run: there's always plenty inside, but at the moment I might just be looking for something quick and easy. Thus this list is probably best described as my musical comfort food. There are the albums from 2017 I had on repeat in my head and in my ears throughout 2018. ```R recentAlbums %>% filter(str_detect(date, "2017")) %>% select(artist_name, release_name, n) %>% head(19) ``` | artist\_name | release\_name | n | |------------------|----------------------|-----| | Charli XCX | Pop 2 | 296 | | Charli XCX | Number 1 Angel | 153 | | GFOTY | GFOTYBUCKS | 144 | | Lorde | Melodrama | 144 | | Carly Rae Jepsen | EMOTION SIDE B | 86 | | Coma Cinema | Loss Memory | 85 | | Rina Sawayama | RINA | 85 | | Paramore | After Laughter | 84 | | Alex Cameron | Forced Witness | 77 | | Baths | Romaplasm | 72 | | Phoebe Bridgers | Stranger in the Alps | 61 | | Elliott Smith | Either/Or | 58 | | Vince Staples | Big Fish Theory | 57 | | BROCKHAMPTON | SATURATION III | 46 | | Richard Dawson | Peasant | 41 | | Sufjan Stevens | Carrie & Lowell Live | 41 | | King Krule | The OOZ | 37 | | LCD Soundsystem | american dream | 37 | | Arca | Arca | 36 | | Carly Rae Jepsen | EMOTION Side B | 31 | ## The Albums {#the-albums} Now I'll say a few words about some of the albums on this list. ![](images/albums.png) ### Charli XCX - _Pop 2_ {#charli-xcx-pop-2} The prolific UK-based singer-songwriter has released a masterpiece. Featuring production from the likes of A.G. Cook and SOPHIE, _Pop 2_ is a celebration of future-facing pop music with catchy hooks and hyper-glossy production. ### Lorde - _Melodrama_ {#lorde-melodrama} I was completely blown away by this on my first listen. Jack Antonoff joined Lorde as executive producer and together they crafted a record full of unexpected hooks and sleek arrangements. The fact that this album is even being compared to Kate Bush's _Hounds of Love_ is a testament to the songwriting chops of the young singer-songwriter. ### Charli XCX - _Number 1 Angel_ {#charli-xcx-number-1-angel} Honestly I really wish that XCX3 got released last year as planned, but these two mixtapes are possibly the greatest consolation prize possible. PC Music-era Charli XCX just plain works. Perhaps the most impressive accomplishment in these mixtapes is her ability to feature so many other artists while at the same time not being overshadowed in the slightest. ### Rina Sawayama - _RINA_ {#rina-sawayama-rina} I love the sound and aesthetic of pop music from the late 90's and early 2000's. It's hard for me to describe, but there's just a level of confidence to it that is difficult to reproduce. While Rina Sawayama by no means tries to replicate the sound, she channels it perfectly in this Clarence Clarity-produced EP. ### Paramore - _After Laughter_ {#paramore-after-laughter} Does Hayley Williams have one of the best voices in today's music industry? Yes. Does Paramore keep getting better and better over time? Also yes. ### Coma Cinema - _Loss Memory_ {#coma-cinema-loss-memory} This was late release (early December) and it did not receive very much attention from the music press. Nonetheless, I found it to be a very enjoyable winter album with a raw yet removed approach to its emotional subject matter. ### Alex Cameron - _Forced Witness_ {#alex-cameron-forced-witness} Heartland synthpop drenched in irony and social commentary. Cameron is simultaneously hilarious and thought-provoking. ### Baths - _Romaplasm_ {#baths-romaplasm} Bubbly production and chippy songwriting. It's a concept album. I still don't quite get the concept, but that's okay. ### Phoebe Bridgers - _Stranger in the Alps_ {#phoebe-bridgers-stranger-in-the-alps} I didn't really get into this release until late this year. Wow, there are some good songs in here! Another great winter album with a lot of sad subjects, but also some intimate and emotional arrangements. [^fn:1]: AOTY publishes an aggregate of over a hundred end-of-year lists annually. Read their 2017 list [here](https://www.albumoftheyear.org/list/summary/2017/).